Attention
The frame stops the movement and holds the eye.
I photograph the moments that stop me. A look, a gesture, light — something I want to keep, together with what I felt right then.
Step into my stories →Sometimes a look. Sometimes light on an ordinary piece of metal. For a moment everything falls into place, and I want to keep it.
Step into my stories →
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assets/img/eye.webpLight between the plants.
What was a moment for me can become the beginning of your own story.
Before they understand what you do, they should already feel that it matters.
The frame stops the movement and holds the eye.
You can feel the person or place before you meet it.
The image ends. The feeling stays.
Photography. People, animals, places and objects. I look for the gesture, the look or the detail that lets you feel their presence.
Film. Movement, sound and time. A way to stay in the scene a little longer.
Drone. The wider context of a place: its surroundings, its scale and the relationships you cannot see from the ground.
Detail and texture. Light on a surface, the trace of use, a small fragment that carries the meaning of the whole image.
Selection, editing and colour. I work the material towards the image I had in my head at that moment.
Who or what would you like to keep in photographs? What matters to you about it?
We talk about the place, the light and what the pictures are for. Together we set the scope of the session.
I set up the conditions, observe and photograph. There is room for natural movement and your own pace.
You receive a selection of edited pictures, prepared for screen and print. RAW files on request, at an additional charge.
Portraits of moments that did not know they were being portrayed.
Up to four hours on location. Edited selection within five days.
Up to eight hours. Photography. Edited selection within seven days.
Can be added to any shoot, weather permitting. Edit included.
A camera where a camera operator can't go: in the craftsman's hands, at the barber's chair, on the dog's harness. With any session.
A cinematic frame is not a filter. It is a decision about where the viewer looks. I have gear that goes where a camera operator can't — into the air, inside a sphere, into someone else's eyes. But I don't sell a drone flight. I sell the moment it caught.
One moment, one place, up to half a day. 30–60 s of cinematic footage and three 9:16 cuts for social. From the ground, handheld, from above, through eyes — I choose what carries the moment.
The story of a day. 2–3 min film, five social cuts and stills from the set. Every perspective this story needs.
Bespoke — longer than a day, several places, something stranger: write, and I'll quote it properly instead of guessing.
Excluding 21% VAT. Travel within 30 km of Eindhoven included. Something bigger, longer or stranger — ask, and I will quote it properly instead of guessing.
First I see what is in front of me. Then a second image appears — how that moment feels. When I photograph, I try to bring the two closer together.
A horse’s eye, a cat’s paw or light on a chain can stop me. I like to come closer, change the height, wait. I am still growing as a photographer. I keep learning the camera so I can show more of what I notice.
GEKVISION is part of GEK-X. It is my way of making things, and here it found its language in images. I do everything myself, from Son en Breugel, in and around Eindhoven.
Someone close to you, an animal, a place you keep coming back to. Or something you make and want to show others. Tell me about it. That is where we start.